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December/January, 2014/15 - Vol.
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This effect on the light is created when the thick molten glass squeezes through the holes in the cage.
If you want to try your hand at a fun off mandrel ornament, heres my design for Rudolph, the Red-Nosed Reindeer.On others, I add creatures or birds.We started with tradition, doing all coil balls.I never tire of these as, again, they seem to have such personality.I thought that the foundations of our decorative techniques were great.Dropping a hot gather from the furnace into a caged bowl makes the bowl much thicker and returns the functionality.Les gains les plus légers sont obtenus par les symboles des cartes à jouer, du neuf à lAs.Workshop Calendar In This Issue Its bigger on the inside by Andrew Lazenby These five guidelines, along with careful observation of the effects of heating and cooling either with the flame or the kiln, will get you well on the road to finding the effects.



Implosion Glass Plugs by Charley Reynolds, in recent years, I have taken on flameworking as a fulltime job.
Ive been lucky enough to have learned from top artists such as Mike Conrad, Jared Betty, Roger Parramore, Robert Mickelsen, Jennifer Umphress, and Matt Eskuche.
This tutorial explains how I use pre-made, hollow, lined tubing to create a traditional color-striped cane marble.
A few years later, I started blowing glass.
Many of these high-energy artists are reinterpreting traditional Venetian techniques, such as reticello.Workshop Calendar In This Issue Fume Implode with Gemstone Encapsulation Pendant by Andrew Rose Over the years, I owned and operated several other retail glass stores and a glass art gallery, but, in 2010, I decided to close the last store and focus all.Glass is an amazing medium with endless possibilities.More recently, I have tried to focus on developing my hollow and functional work, with a heavy emphasis on gold and silver fuming.Serving those who know great design is not an option it is essential.The word millefiori breaks down into mille (thousand) fiori (flowers).If you are not comfortable with making a marble of this size, simply reduce the initial size of the stock you begin to work with.I think it is important to develop our intuition and stay connected to our deepest desires in life every day, as in an area that is close to our heart.Working glass at the torch is less spontaneous and offers more control.I would make 15 mm horn stock by mixing NS Butterscotch with 12 mm clear.The happy accident of discovery happened when I noticed how the shadows look when the light shines through from above.




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